The graphic novel winning the Art Spiegelman Pulitzer Award, Mous, is a milestone in the calculation of the holocaust and the advance in the art of serious comic, but their complete achievements are more notable and eclectic. Art Spiegelman: Disaster is my muse traces its beginnings in the 1960s as co -creator of the extravagant commercial packages; His co -foundation of Arcade underground comic magazines (with Bill Griffith) and RAW (with his wife FranΓ§oise Mouly); In the shadow of No Towers, his reaction to September 11, inspired by witnessing attacks from his home in bass Manhattan; His controversial covers for The New Yorker (1993-2003) that took the New York Police to the journal’s office; and his public response to the recent prohibition of Mous by a School Board of Tennessee. Spiegelman demonstrates an eloquent guide through his provocative work, together with the contemporaries (Robert Crumb, Gary Pantre) and the youngest cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by Spiegelman’s unwavering confrontation of personally traumatic songs.
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